Congratulations to the winner of the 2015 Doris Bakwin Award for Writing by a Woman, Hola and Goodbye by Donna Miscolta! Carolina Wren Press will publish Hola and Goodbye in 2016.
Donna Miscolta is the author of the novel When the de la Cruz Family Danced. Her story “Ana’s Dance” won the 2013 Lascaux Prize for Short Fiction. Recent work has appeared in Bluestem, Hawaii Pacific Review, Waxwing, and Spartan. Her story “Strong Girls” will appear in Calyx’s 40th-anniversary issue, due out in March 2016. A 2014 recipient of an Artist Trust Fellowship, she has also received awards from 4Culture, the Bread Loaf/Rona Jaffe Foundation, and the City of Seattle, as well as residencies from Anderson Center, Artsmith, Atlantic Center for the Arts, Hedgebrook, Ragdale, and Virginia Center for the Creative Arts. She lives in Seattle, but grew up in National City, CA. Find out more at donnamiscolta.com.
April 6, 2014
Carolina Wren Press is pleased to announce the winner of the inaugural Lee Smith Novel Prize: Mulberries by Paulette Boudreaux. Mulberries was selected from more than 170 contest entries.
Mulberries is a gripping tale of family crisis and personal strength that focuses on an eleven-year-old girl struggling to keep herself and her family, and her three younger brothers in particular, afloat in smalltown, segregated Mississippi during the early 1960s. “This elegantly written novel marks the powerful debut of an important voice,” says Carolina Wren Press co-director Robin Miura. “I am so pleased that we are able to publish such a talented emerging writer as the winner of the first-ever Lee Smith Novel Prize.”
The purpose of the Lee Smith Novel Prize is to recognize and publish authors living in, writing about, or originally from the U.S. South. “The press sees this prize as a way to acknowledge Lee Smith’s contributions to southern literature as a writer, teacher, and mentor while at the same time working to explore and expand the definition of southern literature,” says Miura.
Paulette Boudreaux is a Mississippi native who now lives in Los Gatos, California. She is a member of the English faculty of West Valley College and has published short stories and novel excerpts in national and international literary journals including Room of One’s Own, Acorn Whistle, Equinox: Writing for a New Culture, In the Margins, and Voices. She received a bachelor’s degree in journalism from Northeastern University and a master’s in fine arts degree from Mills College.
March 12, 2014
Carolina Wren Press is pleased to announce the winner of the 2014 Carolina Wren Press Poetry Series contest: Goldberg – Variations by Charles Wyatt.
Goldberg – Variations was chosen from a field of more than 200 entries by Ravi Shankar, poet and editor of Drunken Boat. Of the work, Ravi Shankar has written:
“Water Pater’s famous maxim that all art aspires to the condition of music is given rapturous embodiment in Charles Wyatt’s Goldberg – Variations, alluding to perhaps the most triumphant piece of harpsichord music ever composed, Johann Sebastian Bach’s orchestration of two arias and a set of 30 variations. Both Bach’s acoustical magnum opus and Wyatt’s sonorous verbal accomplishment create harmony using a ground bass line melodically elaborated in the progression of a sequence, demonstrating that, as in genetics, there is no original form, but only a recursive set of variations. Ekphrastic poetry might be enjoying a surprising renaissance but Wyatt is the inheritor of an even rarer practice, call it aural mimesis until we coin a catchier term, poetry that imitates music, a lineage we can trace at least as far back as Langston Hughes’ accommodation of the blues into verse, if not much earlier in some of our most ancient folk poetry. Beyond the title sequence, the Goldberg – Variations enthralls the ear and stimulates the mind, exploring such subjects as myomancy, divination using the movement of mice and revivifying such verbal artifacts as Shakespeare’s skainsmate and the higgling pig. Wyatt’s other long sequences “Emily Poems” and “Thirteen Ways of Looking at Wallace Stevens” are meditations on lines from Stevens and Dickinson, uncanny and inventive as finely crafted homages. A poet who can verge from phosphorescence to the blue guitar, from “All the satin in paradise / smooths this thought, / statue learning, the hard earth/ waiting—“ to “And up with its roots, hey ho. / And off with its prolific leaves, / Why should we say the wind knows a tree, / blind wind, blundering, entangled/ in its own brash and billowing song?” is someone to watch closely and listen to even closer. A major concerto of a book, Charles Wyatt’s Goldberg – Variations demonstrates the proximity of our art forms and the sheer universe of delight they can provoke within us.”
Charles Wyatt is the author of two collections of short fiction, (Listening to Mozart, University of Iowa Press, Swan of Tuonela, Hanging Loose Press), a novella (Falling Stones; the Spirit Autobiography of S.M. Jones, Texas Review Press), and two poetry chapbooks (A Girl Sleeping, Sow’s Ear Poetry Review Chapbook Series, Myomancy, Finishing Line Press). He is the recipient of the Beloit Poetry Journal’s 2010 Chad Walsh Prize and the Writers at Work 2013 Fellowship in Poetry. He has served as visiting writer at Binghamton University, Denison University, The University of Central Oklahoma, Purdue University, and Oberlin College. He currently teaches in the Low Residency Program of the University of Nebraska and the Writing Program of UCLA Extension. Before this, he was principal flutist of the Nashville Symphony for 25 years.
Goldberg – Variations by Charles Wyatt and What Else Could It Be: Ekphrastics and Collaborations by Ravi Shankar, will be published by Carolina Wren Press in early 2015.